Style

Style Sunday October 25, 2026 Oct 25, 2026 34 articles
Quote of the Day
“The wiser you get, the less you care to look like a fool.” — Maxime Lagace
Mental Floss

The Top 10 Baby Names of 2026, From Olivia to Dean

"What's in a name?" Not much, other than a lifetime of coffee cup misspellings, monogrammed accessories, and first impressions you didn't ask for. Shakespeare famously wrote that "a rose by any other name would smell as sweet," and yet, soon-to-be parents know there's a difference in how Cate versus, say, Kate rolls off the tongue.

While some of it comes down to personal preference or history, the art of picking a baby name is inextricably linked to the linguistic trends of the time. In 2026, the most popular names are a mix of long-standing staples, newer monikers you might not see on every souvenir shop magnet just yet, and many, many names ending in -a.

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Mental Floss

20 Things Millennials Grew Up With That Are Already Obsolete

Millennials were born sometime between the early 1980s and the mid 1990s, with 1981 and 1996 often suggested to be the cut-off point. As such, many millennials were kids when the digital age first took hold, teenagers when the internet first became widespread, and are now working adults in the social media, cell phone, and remote working age of the 2020s.

Growing up in such a technologically progressive time ultimately means that despite still being only in their 30s or early 40s, a lot of things that were staples in a millennial’s childhood are now already old-fashioned, if not completely obsolete.

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Mental Floss

The 10 Best Stephen King Movies, Ranked by Rotten Tomatoes

Stephen King’s books tend to lend themselves extremely well to the screen. From the unforgettable image of Carrie White doused in blood at prom to the ghostly ballrooms and blood-soaked elevators of The Shining, this horror master’s work has led to the creation of some of the most memorable images in modern cinematic history.

Some of the films based on his work are definitely more well-respected than others, though. While there are a significant number of King adaptations on Rotten Tomatoes that have received pretty abysmal reviews, you’re definitely more likely to have heard of the features with the highest ratings on the platform. Here are the Stephen King adaptations with the best Tomatometer ratings.

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Mental Floss

The Personal Tragedy Behind Picasso's Blue Period

In the fall of 1900, the young Pablo Picasso and his close friend Carles Casagemas decided to travel to Paris to attend that year's World Fair, and the two men were eager to experience the city and its culture. But for Casagemas, this would be brief: after a turbulent time in his personal life, he died by suicide in 1901, at the age of only 20, leaving Picasso in a state of shock and mourning at the loss of his friend.

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Mental Floss

Sylvia Plath’s Fascination With the Occult Included a Homemade Ouija Board

Back in the late 1950s, Sylvia Plath and her husband, the poet Ted Hughes, had a regular guest at their table—a spirit they called Pan—and they reached him the low-budget way. In his notes to Plath’s Collected Poems, Hughes described her “holding her finger on an upturned glass, in a ring of letters laid out on a smooth table, and questioning the ‘spirits.’” The Plath scholar Kathleen Connors writes that Hughes, who brought the occult into the marriage, “used hypnotism and their hand-made Ouija board on a regular basis.” Mental Floss has counted Plath among the Ouija board’s famous users, and her journals show just how much the spirits had to say.

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UVA Magazine

Less costly vaccines, developed faster

When the COVID-19 pandemic struck, researchers developed lifesaving vaccines in less than a year—a record-breaking speed compared with the years required for previous vaccines. Steven Zeichner believes it could be possible to get that timeline down to weeks.

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Today in History
1854 · The Charge of the Light Brigade, a Brave and Foolish Tale

1854 · The Charge of the Light Brigade, a Brave and Foolish Tale

October 25, 1854 — The Charge of the Light Brigade is infamous as an act of bravery in the face all insurmountable odds. On October 25, 1854 members of the British light cavalry led a charge by mistake into the heart of the Russian Imperial army. 110 soldiers died in the charge, 161 were injured and 475 horses killed. The British Poet Laureate Alfred Tennyson would go on to immortalize the event in his poem “The Charge of the Light Brigade”. Half a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. ‘Forward, the Light Brigade! Charge for the guns!’ he said: Into the valley of Death Rode the six hundred. ‘Forward, the Light Brigade!’ Was there a man dismay’d? Not tho’ the soldier knew Someone had blunder’d: Their’s not to make reply, Their’s not to reason why, Their’s but to do and die:

The events of that day reveal more than just bravery, they portray a Victorian army and society on the verge of change. They show an army, still largely controlled by aristocratic officers, long used to influence as their birthright, whose personal vendettas and infighting often led to incompetence on the field.

The Battle of Balaclava, during the Crimean War , of which The Charge of the Light Brigade was one event, was led on the British side by Lord Raglan, commander of the British Forces. Lord Lucan, led the British cavalry, made up of the Heavy Brigade, with its larger armed horses, and the Light Brigade, which was more suited to skirmishes and reconnaissance. Its riders were armed with sabres and lances.

Lord Lucan, an ancestor of the 20th century peer who mysteriously disappeared, was known as the “Exterminator” and for evicting villages during the Irish famine of 1840s. He was brother-in-law to the Earl of Cardigan, who led the Light Brigade. The two hated each other, Lord Cardigan reputedly for Lord Lucan’s treatment of his sister.

The battle began with the Russian army attacking the British position, The British Heavy Cavalry Brigade counterattacked and held off the initial attack. The 93rd Highlanders, war correspondent William Russell’s “thin red line” held off a separate Russian attempt to take the British base of Balaclava. When the Russian cavalry then made a move to capture British guns already taken from the Russians, Lord Raglan and his staff looked to send the Light Brigade to harry their flank. They sent Captain Louis Edward Nolan to carry the order and to give verbal instructions from Lord Raglan to Lord Lucan. Nolan also appears to have held Lord Lucan in contempt and seems to have compounded the hastily and badly written orders by indicating not the guns and cavalry meant by Lord Raglan but the main Russian army 20,000 strong and their guns. Lord Lucan ordered Lord Cardigan to charge, the two figures open hostility prevented any true questioning of the orders.

Lord Cardigan led the charge just after 11am. Lord Raglan and his staff watched in horror from their elevated position. Nolan seems to have tried to head Lord Cardigan off, belatedly realising the mistake but was killed by fire almost immediately.

The Light Brigade charged for a mile and a quarter till they reached the Russian guns who started firing on them as soon as they came in range. They then, if they could, returned the way they had come.

Lord Cardigan himself became separated from his troops and was one of the first to return. He then seems to have left the battlefield completely for his personal yacht moored off the coast where he retired to enjoy a champagne dinner that night..

The battle was a strategic defeat for the British and their French and Turkish allies. It was reported in vivid and dramatic detail by one of the very first war correspondents, Irishman William Howard Russell, who had been sent to the front by British newspaper The Times. Its coverage created a sensation in Britain. It was one of the first times the general public could follow far flung battles almost as they happened .

Lord Raglan blamed Lord Lucan for the loss, Lord Lucan in turn blamed Lord Raglan and Nolan. Lord Lucan made a speech defending his actions in House of Lords on 19th March 1855. Although he was eventually promoted to lieutenant general in 1858 and later general and field marshal, he never again saw active duty.

Lord Cardigan returned home to initial acclaim for his bravery. He made a speech in his hometown of Northampton, claiming he had camped in a tent on the field with his troops and personally rallied his forces after the charge to harry the enemy. The popularity of the cardigan, the knitted garment stems from this date as a popular response, supposedly based on the knitted waistcoat Lord Cardigan wore into battle. However later reports by other returning officers revealed a different turn of events and turned public opinion turned against him.

The debacle of the charge of the Light Brigade had long-term consequences for the British army. A Royal Commission was set up in 1858 after the war to investigate the way the army was run during the Crimean War. A lack of supplies and medical treatment were other issues. The Cardwell Reforms were eventually implemented in 1868-70 by William Gladstone ’s government. They would abolish officer-purchased positions once and for all, increase the size of the army and put it on the road to professionalism.

Lord Alfred Tennyson’s poem “The Charge of the Light Brigade” was published 6 weeks after the event after the poet read reports of the battle in The Times. Copies of the poem reached the British troops who apparently approved of the poet’s telling of the event.

Mental Floss

The Most Walkable Cities in the U.S. and Canada, Mapped

Walkability can be an important factor for some people when trying to decide where they want to live.

Walking means you can ditch a car for public transportation, easily get to stores and restaurants, or just be healthier by using your feet to get around town. It could also mean you live in an area that's friendly to pedestrians or has a higher population density.

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UVA Magazine

Letters to the Editor: Fall 2026

I very much enjoyed the recent article regarding the Corner. Since graduation I have returned to Charlottesville numerous times for Reunions, Orange Bowl Committee visitations, fraternity business and wine tours. Usually, I headquarter myself at the Colonnade Club and immediately head to The Virginian and Mincer’s.

My visits to these establishments are akin to time travel—the years disappear, and I am transported back to the mid-’60s. It’s a great sensation.

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UVA Magazine

UVA replaces men’s lacrosse coach

Eight days after announcing that men’s lacrosse coach Lars Tiffany would not return, UVA promoted his top assistant.

Kevin Cassese, 45, served as the team’s offensive coordinator and associate head coach for the past three seasons. He came to UVA after 16 seasons as head coach at Lehigh University.

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UVA Magazine

From the Publisher: Belonging is Built Here

Let’s start with the obvious: There’s something special about UVA alumni. You can see it in our orange and blue pride, hear it when someone yells “Wahoowa!” from across an airport, and feel it at Reunions. This isn’t just an affinity—it’s a family.

The Alumni Association’s mission is to serve as the heartbeat of the alumni experience, igniting engagement that will last a lifetime. Our work supports more than 285,000 alumni worldwide and spans countless programs, services and signature events.

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Strange But True

Dustbin of History: The Checker Cab

Even though they haven’t been manufactured for more than 30 years, Checker Cabs remain one of the most iconic cars ever made. Here’s a look under the hood of this unique piece of American automotive history.

Morris Markin was a Russian-Jewish tailor who emigrated to the United States in 1913 when he was in his late teens. He settled in Chicago, found work in the city’s garment district, and within a couple of years had his own business making ready-to-wear suits. When America entered World War I in 1917, he switched to making uniforms for the army.

At war’s end Markin began looking outside the garment industry for new business opportunities. In 1920 he loaned $15,000 to a fellow immigrant named Abe Lomberg, who had a business manufacturing auto bodies for Commonwealth Motors, an assembler of purpose-built taxicabs. Markin may have wished he’d stuck to the garment industry, because Lomberg’s business and Commonwealth failed within a year of each other. Rather than cut his losses, Markin assumed control of both companies, merged them into a single firm, and renamed it after the company’s biggest client, Checker Taxi of Chicago.

The automobiles that the Checker Cab Manufacturing Company made in the 1920s and 1930s had little in common with modern taxis. In those days cabs were hired almost exclusively by the wealthy. Everyone else took the bus, the streetcar, or the subway (or walked). Taxi passengers expected to ride in comfort, and Markin’s vehicles delivered. Early Checker Cabs were big, beautiful cars with well-appointed interiors. Some models came with down-filled seats that smartly uniformed cabbies fluffed up with a special paddle between fares. The cabs also developed a reputation for being rugged, reliable, and easy (and cheap) to repair, which made them popular with taxi companies and independent drivers alike. By the end of the 1920s, nearly half the cabs in New York City were Checkers, and the company had made inroads in Pittsburgh, Chicago, Minneapolis, and other American cities.

The Great Depression of the 1930s, while bad for business, helped Markin to consolidate his hold on the taxi industry. General Motors, Markin’s biggest competitor, got out of the taxicab-manufacturing business altogether. And because Checker sold its cabs on credit, when taxi owners defaulted on their payments, Markin had little choice but to repossess the cabs and hire his own drivers to run them. By 1940 he was one of the nation’s largest operators of taxicabs, as well as a manufacturer. And since Markin was the one buying the cabs, that, in turn, guaranteed plenty of business for Checker Manufacturing.

When the U.S. entered World War II in 1941, domestic automobile production was suspended as auto manufacturers retooled to supply matériel for the war effort. Checker was no exception: it made truck components and other equipment for the military. Then as soon as the war was over, it went back to making cabs. The first postwar Checkers were based on prewar designs; it wasn’t until 1956 that Checker (which by then had renamed itself Checker Motors) introduced an all-new car, called the A8, later renamed the Checker Marathon. It served as the basis for every taxicab the company made for the rest of its 25-year run.

The Marathon was a far cry from the fancy cabs of the 1920s and 1930s. The interiors were as austere as school buses: its ceilings were made using a hard fiberboard material instead of fabric. Rubber floor mats took the place of carpeting, so drivers could clean the interior with a hose. And seamless, unpleated bench seats (seams and pleats trap dirt) replaced the down-filled cushions of yesteryear.

What people remember most about the Marathon is the spacious interiors that seemed larger than many cramped Manhattan apartments. How much legroom do you have in the backseat of your car? The Checker Marathon had 46.3 inches—nearly four feet. That was enough room for two folding jump seats, allowing the cab to accommodate six passengers comfortably—three on the bench seat, two on the jump seats, and one in the passenger seat next to the driver. The trunk was large enough to hold all of their luggage. When the jump seats were stowed away, there was enough room to roll a baby stroller right in, and the ceiling was high enough for passengers to ride without having to remove their hats.

Checker’s sales peaked at 8,100 cars in 1962. (Cost of a Marathon that year: $2,542. Power steering, power brakes, and air-conditioning were extra.) The following year, more than 35,000 of all taxis operating in the United States were Checkers.

The company sold a number of specialty vehicles based on its famous cabs as well, including ambulances, hearses, limousines, and 12-passenger “Aerobuses” that shuttled people around airports and vacation resorts. More than 22 feet long, the eight-door Aerobus still holds the record for the longest mass-production passenger car.

Checker also sold thousands of its taxis for use as personal vehicles, though these never proved as popular as the company hoped. One drawback of owning one was that when you stopped at a light there was a good chance that a stranger, thinking you were a taxi, would pull open the door and climb in the back.

Checker’s reluctance to change anything about the car was one of its selling points; Morris Markin promised that as long as there was demand for the cars, he would continue making them the same way. About the only changes he made were when parts supplied by other companies became unavailable, or when government regulations required the changes. Marathons made after 1964, for example, have lap seat belts in the front seat (they weren’t required in the back); cabs made after 1969 have headrests on the front seats; and cabs made after 1978 have no jump seats—they failed crash tests and were ordered removed.

In the 1950s, it was difficult to tell a Checker from the Fords, Chryslers, and GM cars of the day. Checkers look quite a bit like ’57 Chevy Bel Airs, for example. But as those cars evolved over the years and the Checker Cab did not, it gradually became one of the most recognizable vehicles in the world and a rolling, anachronistic icon of New York City. That gave the car much of its charm, but it also left it vulnerable when the soaring gasoline prices of the 1970s sent shock waves through the auto industry. As long as gasoline was cheap, Checker Cabs were inexpensive to operate. When the price soared from 36¢ a gallon to $1.27 a gallon (about $5.27 today when adjusted for inflation) in less than a decade, they weren’t anymore.

As the Big Three automakers began to downsize their cars, Checker was hurt in a number of ways. For one thing, the company got most of its mechanical components (engines, transmissions, brakes, etc.) from the Big Three. But as these companies re-engineered their own cars to make them smaller and more fuel-efficient, there was no guarantee that parts for the Checker Cab would be available in the future.

Ironically, the failure of the Big Three to shrink their vehicles faster also hurt Checker. That’s because when GM, Ford, and Chrysler lost market share to the smaller, more fuel-efficient cars manufactured by Volkswagen, Datsun, and Toyota, they tried to goose their flagging sales by offering special fleet prices to customers who bought cars in volume. Customers like taxi companies, for example.

As Checker’s sales dwindled from one year to the next, there was less money available to design a car more suited for the times. By the 1970s, Morris Markin was gone; he’d died in 1970 and his son David took over the company. In 1976 David sold half of Checker to Ed Cole, the recently retired president of GM, for $6 million and Cole became Checker’s CEO.

Cole had some successes at GM, but he was also closely associated with the Chevy Corvair and the Chevy Vega, two of the most problematic cars that GM ever built. His plans for Checker didn’t seem much better: He wanted to buy unfinished Volkswagen Golfs (then called Rabbits) from VW’s factory in the U.S., then raise the roofs several inches and stretch the cars until they were long enough to hold six passengers. He was also considering a similar model based on a stretched Chevy Citation. Both of these plans came to naught when he died in a plane crash in May 1977.

Checker struggled on for a few more years, but falling sales and soaring interest rates in the late 1970s made it impossible for the company to finance any further attempts at redesigning the Checker Cab. In 1981 sales hit a new low of 500 cars, and the company declared its first loss in nearly 50 years. A few months later Checker Motors announced it was ending production of its cars. The last Marathon rolled off the assembly line in July 1982.

Checker Motors continued on for nearly 30 more years as a manufacturer of parts for GM and other companies. But when rising gas prices and an economic recession made GM’s sales tank in 2008, Checker’s fortunes soured with it. David Markin’s ability to keep the company afloat using his own funds had already been damaged when he divorced his wife in 2005 and she was awarded half of his $106 million fortune. Then, when Markin lost much of the rest of his fortune by investing it with Bernie Madoff, Checker’s hopes for survival vanished entirely.

Just one month after Madoff was arrested in December 2008 and charged with running the largest Ponzi scheme in history, Checker Motors filed for bankruptcy and went out of business. Today all that’s left of the company are the remaining Checker Marathons themselves…and surprisingly few of them are still around. Of the tens of thousands produced over the years, only about 700 survive. Why so few? They were taxis: most were driven into the ground and then towed to the wrecking yard and scrapped. The older Checkers are rarest of all; only about 15 made before 1960 are known to exist.

Another thing that’s hard to find nowadays is a cabbie who has ever driven a Checker. That’s not just because of the passage of time, but also because there’s nothing quite like driving a Checker. When the cabs became scarce in the late 1980s and could no longer be had, either new or used, many Checker cabbies got out of the business rather than drive any cab that wasn’t a Checker.

That’s what Earl Johnson, New York’s last Checker Cab driver, did when his cab flunked its safety inspection in 1999 and had to be taken off the road after 21 years and 994,000 miles on New York City streets. Rather than stoop to driving a Ford Crown Victoria or any other car, he retired four years early. “I would never settle for driving any one of those,” he told the New York Times on his last day on the job. “This is the only real taxi.” (Sotheby’s later sold his cab at auction for $134,500—$125,500 more than Johnson paid for it new in 1978.)

This article is reprinted with permission from Uncle John’s Canoramic Bathroom Reader . Weighing in at a whopping 544 pages, Uncle John’s CANORAMIC Bathroom Reader presents a wide-angle view of the world around us. It’s overflowing with everything that BRI fans have come to expect from this bestselling trivia series: fascinating history, silly science, and obscure origins, plus fads, blunders, wordplay, quotes, and a few surprises.

Since 1987, the Bathroom Readers’ Institute has led the movement to stand up for those who sit down and read in the bathroom (and everywhere else for that matter). With more than 15 million books in print, the Uncle John’s Bathroom Reader series is the longest-running, most popular series of its kind in the world.

If you like Today I Found Out , I guarantee you’ll love the Bathroom Reader Institute’s books, so check them out !

Dustbin of History: The Checker Cab
UVA Magazine

Varsity, hauled: Underappreciated structure escaped demolition with a 2005 relocation

In the early 2000s, Varsity Hall sat perched on a hillside southeast of the Lawn, out of sight and out of sync with its surroundings.

“It was a building everybody kind of loved to hate,” says Mary Hughes (Arch class of ’87), who served as UVA’s landscape architect from 1996 until her retirement in 2022. “It was clearly a different style, a different era, was not even on the Jefferson grid of the rest of the Grounds.”

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UVA Magazine

It’s all fun and games: How four UVA alumni helped shape the “golden age” of puzzles. Plus: Play our three UVA-themed games.

Shut off your alarm. Stretch. Solve the Wordle.

For millions of people around the world, playing a daily game is as integral to their morning routine as a cup of coffee or a slice of toast. Whether it’s Wordle, Quordle or even Octordle; the New York Times’ Spelling Bee, Connections or a mini crossword; games and puzzles are booming.

In 2025, players solved 11.2 billion New York Times puzzles, according to the company. Publications like The Atlantic and The New Yorker and tech companies including LinkedIn and Apple have launched their own digital gaming hubs in recent years.

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Now I Know

Help Keep Now I Know Going Strong

A daily dose of fascinating

Yep: today I’m asking you to support Now I Know financially. I don’t do this often — the last time was back in March — so thanks for bearing with me.

For 16 years, I’ve been writing Now I Know — a little story in your inbox most weekdays, sharing surprising, curious, and often weird bits of knowledge. I love doing it, and I’m grateful every single day that so many of you read along.

Most of what keeps Now I Know going comes from recurring and one-time support from readers like you. In March, about two dozen of you signed on as new supporters, which I’m still humbled by. I’d like to repeat that success today — my goal this fall is to add another 25.

(And just to be clear: Now I Know isn’t going anywhere. Your support doesn’t keep it alive — it helps make it stronger and more sustainable, and it gives you the option to get it ad-free.)

If you’d like to help, there are two easy ways:

I send about 20 editions a month. A $5 monthly contribution works out to just 25 cents per email — the cost of:

For a quarter a day , you’re helping make sure thousands of curious people keep learning something new each morning. That’s better than a small handful of mints, right?

Not comfortable with recurring support? Or want to make a REALLY BIG one-time gift? That’s great! Whether it’s $5, $50, or, in a truly heroic turn of events, $500,000, I’m grateful for it.

A big thank you, too, to everyone who already supports Now I Know. Your generosity makes the ad-free version possible and lets me spend more time on great stories.

If Now I Know has ever made you say “huh, that’s neat,” I’d be honored if you’d consider chipping in .

Tuesday : Free Money’s Fine Print : An ATM error in your favor comes with strings attached, even if you would have gotten away with it. Wednesday : The Bathrobe Defense : How wearing pajamas in public can help keep you out of prison (but not indefinitely). Thursday : When First Comes in Third : Second comes in first, maybe, but not always; regardless, it always comes before First, at least in this real-life Abbot and Costello skit.

Here are a few things you may want to check out over the weekend:

1) ” Impossibility is a Myth ” (The Fence, 22 minutes, September 2026). The subhead: “Sacha Jafri sold an artwork for $62 million dollars in 2021 at an auction. But the money never changed hands. What happened?” 2) “ Getting Rich and Going Broke, One Pack of Sports Cards at a Time ” (GQ, 30 minutes, September 2026). Over the past few weeks, I’ve been plugging my Whatnot referral link here because I like baseball, and your sign ups have earned me credits to get some free cards. (Thanks for that!) I’ve also seen — but haven’t participated in — the channels that sell cards in the manner described in this article. It’s a weird, and potentially dangerous mix of card collecting and gambling. The GQ story does a great job articulating the situation, and is a great read even if you’re not into baseball.

3) “ The great American road trip is in peril ” (Grist, 18 minutes, August 2026). The subhead: “Along my family’s 9,000-mile trip this summer, our days whiplashed between grandeur and extreme weather crises.”

Thanks again for supporting Now I Know — and have a great weekend!

Arts & Design

The Art Newspaper

Alison Kuo’s homage to Cantonese opera at the New Museum

After Alison Kuo’s grandmother died, the New York-based artist inherited an unusual object—a costume beard her grandmother had worn during her time as a Cantonese opera singer in Hong Kong. “She would always perform the role of a military general,” says Kuo, adding that while gender-bending is common in traditional opera, the character of the general was often reserved for men.

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Colossal

Wangari Mathenge’s Vibrant Paintings Tap into Kenya’s Paradigm Shift in the 1960s

In 1963, following nearly 70 years of British colonial rule, Kenya declared independence. The nation was not alone on the African continent; in the 1960s, Gambia, Guyana, Malawi, Nigeria, and others freed themselves from Britain’s control in a watershed period of democratic redevelopment and socio-cultural shifts. Wangari Mathenge, who was born in Nairobi, looks to the not-so-distant past in an ongoing series of vivid oil paintings.

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The Art Newspaper

Art Basel Paris to close early due to protests

Art Basel Paris, which opened at the historic Grand Palais earlier this week, will close early in the wake of mass demonstrations across France which turned violent last weekend. Further protests are planned this weekend in the centre of Paris.

“Art Basel Paris will conclude its 2026 edition at 7pm on Friday, October 23. The fair will remain closed on Saturday, October 24 and Sunday, October 25,” said an email from Art Basel management to the fair’s VIP guests sent today.

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Colossal

Ibrahim Said Nods to Ancient Islamic and Egyptian Pottery Traditions in ‘Shaping Time’

In Fustat, a historic district of Cairo that was once the ancient Islamic capital of Egypt and a major trading center, centuries-old pottery known as Fustat ware has been excavated throughout the area. Typically featuring a luster glaze in a wide range of hues to produce an iridescent effect, the surfaces were sometimes incised with designs. For artist Ibrahim Said, who was born in Old Cairo and grew up observing the ceramics industry in the dozens of workshops comprising the area’s Pottery Village, past meets present in richly ornamented sculptures.

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The Art Newspaper

Could proposed bill give the French state too much control over privately owned art?

A legislative proposal introduced in March 2026 in the French senate could considerably impact the country’s art market. Proposed by senator Jacques Grosperrin, it seeks to strengthen mechanisms for controlling French cultural property, expanding the state’s power over works held in private collections and considerably extending an authority that is already substantial. So far the proposal has escaped the scrutiny of commentators on French art law.

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Artnet News

Back to the Culture Wars

The best of Artnet News in your inbox.

The best of Artnet News in your inbox.

It is not a happy time to be an arts advocate in the United States. The last year has seen the real threat of eliminating the National Endowment for the Arts, and the spectacle of the head of Smithsonian’s National Museum of American History hauled in front of Congress to be publicly grilled about her programming by Republicans.

The best of Artnet News in your inbox.

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The Art Newspaper

Anselm Kiefer painting too large to exhibit gets its own David Chipperfield pavilion

A giant Anselm Kiefer painting that has spent almost two decades in storage is now finally on view to the public following the opening of a purpose-built gallery in Germany. The German industrialist and collector Reinhold Würth bought Kiefer’s Schwarze Flocken (Black Flakes, 2007), which is 11.2m high and 7.1m wide, directly from the artist’s studio in 2008. With the painting simply too large for any of the Würth Collection’s exhibition spaces, in 2025 the Würth Group commissioned the British architect David Chipperfield, working closely with Kiefer, to design a pavilion exclusively for Black Flakes. It opened on 13 October in the sculpture garden beside Museum Würth 2 in Künzelsau, northeast of Stuttgart.

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Colossal

Dozens of Sculptures Dot Bondi Beach in the 2026 Sculpture by the Sea Exhibition

Bondi Beach, a neighborhood east of central Sydney, is about as iconic a surf spot as they come. Its eponymous crescent beach glows with golden sand, and its cliffs frame stunning scenery. In December 2025, it was also the site of a tragic terrorist attack, when two men opened fire on a Hanukkah celebration, killing 15 people. (Gun deaths, let alone mass shootings, are exceedingly rare in Australia, especially compared to the U.S.) At Bondi, heroism and a sense of community converged in its beautiful setting, reinforcing pride of place. And it’s again home, at least temporarily, to “the world’s largest free to the public sculpture exhibition.”

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Artnet News

This Kandinsky Work Is Primed to Shatter the Artist’s Record

Wassily Kandinsky’s Betonte Ecken (1922–23) is tipped to make history at Christie’s20th Century evening sale in New York on November 17, where it could set a new auction record for the Russian painter.

A sale within its estimate range of $60 million to $80 million would far outstrip the current record holder: Murnau mit Kirche II (1910), which sold at Sotheby’sLondon for £37.2 million ($44.8 million) in 2023.

The best of Artnet News in your inbox.

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Artnet News

Monet’s Long-Hidden ‘Iris’ Blooms to Record $56.2M at Auction

A long-unseen Claude Monet painting made history tonight in Paris, selling for €50 million ($56.2 million), more than double its low estimate, during Sotheby’ssale of the Schlumberger collection. It’s now the most expensive artwork ever sold at a French auction.

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The Art Newspaper

Québec museum opens $61m pavilion celebrating renowned artist Jean Paul Riopelle

A new pavilion at the Musée National des Beaux-Arts du Québec (MNBAQ) opens tomorrow (22 October). The C$84m ($61m) Espace Riopelle-Michael Audain Pavilion is named for both Jean Paul Riopelle (1923-2002), the province’s most famous Modern artist, and Michael Audain, a philanthropist and co-founder of the Jean Paul Riopelle Foundation. The project was first announced in 2022, but the budget more than doubled since then—with the Québec government contributing more than C$40m.

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Artnet News

$34.3M Roman Marble Busts Through Antiquity Record at Sotheby’s

A marble sculpture depicting an emperor’s ornately armored torso, carved in the 1st century C.E., has become the most expensive Roman antiquity to sell at auction, realizing $34.3 million at Sotheby’sNew York on October 21.

The exquisitely detailed Roman sculpture was the marquee work in the first round of “Magnum Opus,” which saw all 64 lots sell for $63 million above a high estimate of $47.6 million. Overall, the single, unnamed collection will see more than 900 works, spanning 25 categories, arrive at sales in New York and Paris through 2027.

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Artnet News

Paris Auction Houses Turn Up the Heat

A version of this article originally appeared in The Back Room, Artnet Pro’s weekly newsletter for art industry intelligence. Subscribe now to get it straight to your inbox.

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There’s some major art on offer at Art Basel Paris—hello, $100 million Modigliani—but what’s in store at the auction houses?

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The Art Newspaper

Comment | Seabed heritage is facing catastrophic destruction on multiple fronts

In 2011, the E/V Nautilus expedition discovered an ancient merchant ship at the bottom of the Black Sea, west of Ereğli, Turkey. Sunk more than 2,000 years ago, it might have been in better condition if bottom-trawling fishing boats had not repeatedly scraped their nets along the seafloor, right through the site. In their wake, the ship’s ancient amphorae lay damaged and the hull timbers had been dragged from where they lay. Unfortunately, this is not an isolated incident.

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Artnet News

Art Basel Paris to Close Early in Face of Weekend Protests

With more demonstrations planned for Paris on Saturday, a week after large-scale protests gave way to looting and property damage across France, everyone in town for Art Basel has been mulling their plans. Should they stay through the weekend to catch all the museum shows? Should the fairs close early?

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